Tag Archives: Brent Kossina

Comic Timing – Episode 56: Part 1

Part 1 of our discussion on Online Ordering is here! We also touch on the LCS, what makes one great, what drove some of us away from going to ours in favor of online, and so on. The panel is Brent, Just Bill of The Comic Book Drawerbox, John and Bob of Comic Book Page, and Tim, thefreakytiki!

You can e-mail the show at comictiming@gmail.com, and please vote for us at Podcast Alley and Digg us at Digg.Com. And of course, if you can, please donate to the HERO Initiative effort if you can. Every little bit helps!

Thanks for listening, thanks for downloading, and I shall see you next week for Part 2!

Comic Timing – Episode 55: DC Wrap Up 2007

It is time for DC discussion! Raph of Geeks Unite!, Brandon of the soon to return Quarter Bin Podcast, join Brent and I to discuss 2007 in a year in review. We touch on Countdown, Sinestro Corps, Amazons Attack, our favorite and not so favorite titles and creative teams, the works, so listen and enjoy!

You can e-mail the show at comictiming@gmail.com, and please vote for us at Podcast Alley and Digg us at Digg.Com. And of course, if you can, please donate to the HERO For the Holidays effort if you can. Every little bit helps!

Until next time, thanks for listening, and thanks for downloading!

Comic Timing – Episode 54: Marvel Wrap Up 2007

2008 has begun, so let us review 2007, shall we? Brent and I begin with a wrap up for Marvel, as we are joined by Jen Capelli and Chris Johnson of Amazing Spider-Cast. We discuss everything from the major X-Books crossovers to the end of Civil War and the beginning of The Initiative, all the way back to Annihilation and Annihilation Conquest. We also discuss our favorite creative teams, favorite and not so favorite miniseries, and we ask the most important question for 2008: Who is a Skrull?

Next week, Brandon Christopher, Raph Soohoo, Brent and I go over DC in 2007. Make sure to tune in to hear the other side of the comic book universe discussed!

You can e-mail the show at comictiming@gmail.com, and please vote for us at Podcast Alley and Digg us at Digg.Com. And of course, if you can, please donate to the HERO For the Holidays effort if you can. Every little bit helps!

Thanks for listening, thanks for downloading, and talk to you all soon!

Spider-Man 3: A Retraction

On the Upcoming Marvel Year-End Wrap-Up show, I talk a little about how I think Spider-Man 3 was the worst of the Spidey films. I still think this, but upon a second viewing, it’s not as bad as I thought. Dammit! The same things that “bugged” me before (sorry, bad pun) still bug me, but what makes it better is that I see the things that work well, although it took me a second viewing to realize it. So how good is a film if it takes you more than one viewing to realize it? Shouldn’t great films hit you on the first viewing?

The Good:
What I liked in this film was the interaction between the three main players, Peter, MJ, and Harry. On a second viewing, these things seem like a real progression from the second film. Harry is harboring anger for Peter, MJ is with Peter but realizing that he’s not always going to be there for her, because he’s Spider-Man, and Peter is just missing all the cues, like the loveable lug we met previously. Yes, the bump on the head for Harry is silly, but when he forces MJ to break up with Peter and forces Peter to come to him to vent, and then ruins his day again, it just seemed brilliant. And after that, Peter shows up at Harry’s house to beat the crap out of him! Harry wanted to make Peter angry, to lash out in rage, and he succeeded. You could almost say that Peter hitting MJ in the Jazz club is also Harry’s fault. Harry fought Peter in his house, while Peter was under the symbiote’s influence, gave him the rage to win, and go out and be bad, wanting revenge on MJ now. Peter lost control, hit MJ, and then freaked out when he realized what happened. Harry’s actions caused Peter’s heart to break three times, when MJ broke up, when Harry was the other man, and when Peter hit MJ. As Harry said, “sooo good.” That really worked for me the second time around. Because of this, Harry’s redemption at the end of the film really came through, even though Raimi and his writing team had to resort to the Deus Ex Machina of the butler, which is still lame a second time around. Harry, even though he’d been a reak jerk to Peter in the recent past, saved his friend from the spikes and Venom, showing Peter the ultimate act of friendship, self-sacrifice, even if it was impulsive.

MJ’s scenes worked for me on the first viewing, and here as well. I really got the sense that she was feeling left out. Peter was so high on being Spider-Man that he couldn’t see her being so low. Peter couldn’t be there for her, and so she reached out to Harry. Peter’s growth worked a little better, and I even smirked a little during the emo-dance scene. I think I got it this time around, seeing how Harry’s machinations were inadvertantly at work.

The Bad:
Too many villains. Harry, Sandman, and Venom. This is where the film really fails. None of these villains, other than Harry, were really developed characters. We only got a few scenes of Eddie Brock before he became Venom. Sandman was a total joke, being a victim of too little screentime, and the fact that just like Doctor Octopus, he had to be redeemable at the end. Doc Ock’s redemption worked, because we got to know him before his arms went nuts, there was a reason that he was acting weird. Sandman, had no real motivation to be Sandman. His little girl is sick. With what? A cold? Tell me what’s wrong with her, how much does it cost? How long does she have to live? If she has cancer, make her bald or something to show that she had radiation treatments but had to stop due to money problems.

What was Flint in prison for in the first place? Has he tried to get a regular job? Play the lottery? A scene or two showing us this would’ve gone a long way. Also, a giant sand-monster, really? Why did Flint lose his speaking ability when he enlarged himself? If they had kept him normal size but just let him enlarge his hands, feet, head, one thing at a time (like in the comics) then I think that final battle would’ve been more personal. Once he became a giant sand-monster I lost all respect for him as a character, he just became lamer. They had already shown how much of a threat Sandman was in the armored car robbery scene, so we know he’s hard to fight, just give the man more motivation to fight and he’d have been awesome. Some other things that really killed me were the kids. “Wow! Spider-Man!” Shut up kid, where’s your mom and why aren’t you in bed? It’s a school night. Sam, you can put your kids in the film, but they don’t need speaking parts to break up the action, it just takes away from it. Speaking of taking away from the action, the news reporters didn’t need the second sequence. Them setting up the danger was fine but once they entered in with the “Oh, the brutality” and “This could be the end… for Spider-Man” they robbed the final battle of all the tension. I know it’s brutal, I’m watching the battle happen, I don’t need your commentary.

So all in all, I’d give Spider-Man 3 a C, on a second viewing. I still think that it not working on a first viewing says something about the film, it’s nowhere near perfect, but it does have some redeeming qualities, mainly our three main actors and their plotline. If you were dissapointed with the film when it came out, go rent it and try it a second time, let me know what you think.

Geekspeak Report – Episode 3

Episode 3 of the Geekspeak Report is here! Brent Kossina, my regular co-host of Comic Timing, stops by to assist in the selection process for the upcoming Geekspeak Co-Host Challenge! After the names are randomly picked out of his hat, we talk plenty of geek news and reviews, including:

We will return in January with the first of the Geekspeak Co-Host Challenge episodes. If you want to comment on this or anything else, e-mail us at speakgeekspeak@gmail.com, or you can visit the The Comic Forums to post your thoughts.

Thanks for listening, thanks for downloading, and welcome back to The Geekspeak Report!

Comic Timing – Episode 53

Spider-Man time! Jen Capelli from the Amazing Spider-Cast and Chris Gallo, alias Webhead on the forums, join Brent and I to discuss our Friendly Neighborhood Wed Slinger. We go all the way through his career, from costume changes to love interests, from cartoons to movie, all the way to One More D(el)ay. Great times to be had, and thanks to Jen and Chris for joining us!

You can e-mail the show at comictiming@gmail.com, and please vote for us at Podcast Alley and Digg us at Digg.Com. And of course, if you can, please donate to the HERO For the Holidays effort if you can. Every little bit helps!

Next week, our year end wrap-up episodes begin, as Jen Capelli returns along with her podcasting partner Chris Johnson to discuss how 2007 went for Marvel. Stay tuned, and thanks for downloading!

Triple Daredevil Review… Yellow, Father, and the Man Without Fear

I’ve been on a Daredevil kick for the last few weeks, so having read 3 six issue arcs, I’d figured I’d review them here, from worst to best. What’s weird is that in some way, all of these stories have to do with Daredevil’s origin and his father, Jack Murdock.

Daredevil: Father
Writer and Artist: Joe Quesada

Ever remember people saying that Joe Quesada had forgotten how to draw at one point? After reading this abysmal story, I now believe them. Joe Quesada’s Daredevil here is a bulky, grimacing beast, unlike the one he had drawn with Kevin Smith 10 years back, and every other interpretation of the character. The story here is that there is a serial killer going out and cutting out people’s eyes, while Daredevil does nothing, and in the end, it’s all his fault. Well, partially anyway. Quesada introduces some new super-team called the Santerias who do nothing but fight with Daredevil in the two issues they appear in, and their inclusion in the story has nothing to do with the ongoing plot. There are some asides to a young, media-mogul, who has daddy-issues too, and he funds the Santerias and asks Daredevil to look into this serial killer. Daredevil refuses because the killer is not striking inside Hell’s Kitchen, so it’s not his problem, that is until he finds out that all of the victims are his former clients, and that the killer is someone he knows. All of these plots converge in issues 5 and 6 of this mini, showing me that issues 1-4 were pretty unnecessary and that you could’ve picked up issue 5, read the recap page and finished the mini. That’s not good for a story. Quesada seems like he’s reaching out in every direction here, which leads to a sloppy plot, and an even sloppier finish, leaving me to close the last issue with disgust. I went into this thinking it was going to be a story that hearkened back to Matt’s Father, Quesada tried to do this, but got so wrapped up with everyone else’s daddy-issues that he forgot that Jack Murdock was supposed to be the centerpiece of the story. It’s because of this that the story gets lost. If Quesada had kept everything in check, this might have been a mediocre story, instead of an abysmal one. Quesada is trying to do too much here, and it all gets lost in the shuffle. As for the art, People weren’t kidding that his “One More Day” stuff was his best in awhile, because the stuff here looks more cartoony and less detailed than any of his previous work or his new stuff, and that’s bad for an artist who is known for a dynamic, detailed style. I don’t know if Quesada was so loose to try and get a nostalgic feel in the art, or because his Editor-In-Chief job at Marvel got in the way of the quality. Richard Isanove does the colors here, with his digital painting style, and I almost wish he didn’t. Every panel has some wierd color filter. Flashbacks are all yellowed, like on old paper, Daredevil scenes are bathed in red, and the Matt Murdock scenes have a blue hue. This doesn’t work well across the board, because it makes the book look monotone. There is nothing to keep me looking at the page, since, because of the coloring, it all looks the same. I want the coloring to make me stop and smell the roses, this stuff didn’t. All in all, don’t spend your money on this book because you’re wondering what the hassle was all about with the delays way back when, grab it in a bookstore, take 20 minutes and skim through it. You won’t be thoroughly impressed to buy it after that. D

Daredevil: Yellow
Writer: Jeph Loeb
Artist: Tim Sale

One of many “Color” books by Loeb and Sale, this one focuses on Dardevil and his time at the beginning of his career, in his Yellow costume. A majority of the book focuses on his origin, slightly altering it more than I’ve ever seen. In this book, Jack Murdock is killed while Matt Murdock is studying in Law School. Everywhere else, Jack Murdock is killed while Matt is a young boy. It doesn’t do much to serve the story, other than place it within the first year of Daredevil’s first appearance. Anyway, Matt fights some gangsters, it’s all pretty standard stuff. The real star of the book is Tim Sale, who’s work is phenomenal in whatever form it appears, whether for DC, Marvel, or on the Heroes TV show. If you’re looking for a book that cover’s Dardevil’s origin without feeling dated or tying into any continuity, this is the book for you. If you’re looking to introduce someone to Daredevil, this might be the book to do it. A solid comic story with some fantastic art. C

Daredevil: The Man Without Fear
Writer: Frank Miller
Artist: John Romita JR

Out of all the Dardevil stories I’ve read, which really is limited to these three, plus Kevin Smith and Brubaker’s first arc, this was the best. Like Daredevil: Yellow, this is an origin story, though it ties in the origin everything Loeb left out, mainly Stick and Elektra. Elektra has been trained by the Hand and is addicted to killing people, but must start confrontations to with thugs to do so. Stick, here is a mysterious janitor who trains Matt in his dad’s gym at night. It’s not clear why he trains Matt, what is clear is that he’s disappointed in Matt when he uses his skills to fight crime, though his black-silhouetted boss is not. This is like Batman: Year One, but for Daredevil. I think it might not be as revered as that, because, essentially, Miller is applying his Year One formula to Batman. It introduces a young boy, his dad dies, he trains, meets a female villain, and fights crime. The Kingpin also makes his first appearance here, and his rise to power is quickly established in a few, pages, and that’s all we need to know, we can fill in the blanks ourselves. That might be what makes this story so great, is that we’re able to fill in the blanks ourselves, with whatever we want the blanks to be, or whatever continuity we know and love. This is pre-Goddamn Batman Miller, so it must be good, right? Fear not, it is. John Romita JR, does a formidable job on art here. I’m not quite sure whether it’s because of his love for the character, or because the acrobatic Daredevil is slightly similar to the lanky and acrobatic Spider-Man, which he so greatly draws. And, it’s not heavily inked by Klaus Janson, so there is no muddiness to the art, like on that last issue of World War Hulk. This is good quality Miller and Romita JR, and should not be missed for any comic fan, even if the Daredevil costume never appears in the actual story. A

Co-host non-Co-Host Co-Host now has access… Beware!

Hey there folks, wait…

‘Sup?

That’s better, and I figured I’d drop a line to say that I’d be posting some rants, thoughts, and stuff on here from time to time. Why the hell not right?

~Brent

Comic Timing – Episode 52

52! 52! Well, Episode 52 that is. Bob Bretall and John Mayo of The Comic Book Page Podcast join Brent Kossina and I for another edition of 22 Pages. This time, we do a lot more than 22 Pages, as we go over the Green Arrow and Black Canary Wedding. This covers JLA Wedding Special #1, Green Arrow/Black Canary Wedding Special #1, and Green Arrow/Black Canary #1. Spoilers all over the place, so if you have yet to read these books, you might want to hold off on listening to the show. Also, there is some special news halfway through the show you should keep an eye out for.

You can e-mail the show at comictiming@gmail.com, and please vote for us at Podcast Alley and Digg us at Digg.Com. Oh, and here is a link to the Noisy Awards, where you can vote for Comic Timing as your favorite group comic book podcast! And of course, if you can, please donate to the HERO For the Holidays effort.

See you folks next week for Episode 53, and thanks for listening and thanks for downloading!

Comic Timing – Episode 51

Brent and I go into some recent rumors and news, as the road to Episode 100 begins! Only 49 to go, right? We touch on Alex Ross and his new Invaders project, Captain America and his new costume also by Ross, Batman and the rumors surrounding his demise, as well as some Nightwing conversation, and One More and Brand New Day for Spider-Man.

You can e-mail the show at comictiming@gmail.com, and please vote for us at Podcast Alley and Digg us at Digg.Com. Oh, and here is a link to the Noisy Awards, where you can vote for Comic Timing as your favorite group comic book podcast! And of course, if you can, please donate to the HERO For the Holidays effort.

Up next is Episode 52! 52! Remember da fifdeetu! See you next week, thanks for listening, and thanks for downloading.